Guest Post: The Elven Monk

One of the things I wanted to do for the site this year was get some guest bloggers to contribute, and to do some guest blogging of my own. Jesse C. Cohoon over at Fantasy Roleplaying Planes reached out with a post, and I’m currently working on a post for his site as well. In an earlier article I talked about how I had changed some races to better fit my campaign. So Jesse’s article seemed like a good fit, as an alternate way to look at the Elven people. I hope you enjoy, and take a look over at his site if you have the chance.Brent

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The Elven Monk

Elves are typically presented as aloof, long-lived protectors of the forest, experts in magic, sword, and bow. But this is only one interpretation of what elven culture can be. What would happen if a sect of elves decided to remove themselves from society altogether, abandon their forest homes, seeking instead lives of meditation and quiet contemplation? Elves have a serene quality about them, and due to their longevity if they bend their minds and wills to focus on this, have a wisdom which few can match.

Lands & History

This branch of the Elven people withdrew from the world. They were tired of the constant need to protect the land from invaders. So they found a mountaintop constantly shrouded in blizzards and built a home there, daring anyone to try to take it away from them. They built a community with their temple at the center of it, which they named Yana Halt tel’ Loomi Raumo, translatedto common as “Leap of the storm clouds.” Despite this limiting factor of their location, they seem self-sufficient in getting all they need, having learned how to garden indoors, coaxing vegetables and fruiting plants to grow in what sparse light they have.  They also have a herd of alpacas which they use the meat and wool to weave their simple robes from.

Community

The Elven monks of this community spend their times training their minds and bodies to perfection. Everyone shares in chores alike: men, women, and as they are able to, children. Even though they are a temple, there is a sense of community and commonality for all there. This is not to say they’re not strict about their members adhering to the temple’s standards. If a member violates its rules, they may be asked to leave. For the most part, they do not welcome strangers into their lands with open arms . That is not to say they are inhospitable; if someone stumbles into their temple grounds needing help, they’ll supply them with what is needed: be it food or a guide, and send them on their way.

Appearance

They are typically lithe men and women who wear simple robes of a single color, oftentimes decorated with a sash of a different colored material to note their status or position within the community. When adventuring, this sash also doubles as storage for anything they’re carrying with them. On their feet they wear simple sandals.

Everyone originally from the community is first encountered bald. Newcomers to the temple for training or to join are required to shave their heads.

Personality

This group of Elves are isolationists, preferring not to get involved with the outside world. This is not to say they will not; if the situation arises and someone can convince them that their skills are needed, they will venture out into the world to face and defeat the evil. They’re fearsome foes to those that oppose them. Woe to be the enemy that confronts them in their mountaintop home.

Most of them are soft spoken, and will rarely initiate a conversation, preferring to mind their own business rather than getting involved in outside situations, unless failing to do so would violate their oath.

Weapons & Armor

They don’t typically wear armor, as it interferes with their acrobatic movements, but that’s not to say that they’re defenseless. The monks are trained to use their sash to parry attacks and use it to misdirect attacks from vital areas, sometimes blocking them from hitting completely. They typically carry a long three section staff that has a length of rope coiled onto it. The rope can be uncoiled to reveal a folding grappling hook. This combination is used similarly to the o-kusarigama, and can be used to cross gaps, and trip or entangle foes.

Skills & Powers

Due to their constant exposure to the elements, this branch of Elven monks can ignore the side effects of normal cold weather. If their training is advanced enough, they may be able to shrug off cold damage. They can deliver a chilling Ki attack with their palm strikes. Also, due to their physical training makes them surefooted in all but the most unstable of circumstances. They also are excellent climbers. Unfortunately, due to their social isolation, they aren’t good conversationalists, and despite their serenity, sometimes don’t make a good impression on others.

Adventures

Elven monks from Yana Halt tel’ Loomi Raumo may be found adventuring if they are seeking more advanced training, coming back home from guiding a lost traveler, or after having fought other evils.

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Jesse Cohoon is a blogger who writes about tabletop gaming. His strength comes from being able to pull his experience from fantasy novels, video games, and real world experiences and combine them into one. His blog can be found at fantasyroleplayingplanes.blogspot.com. Contact him if you want him to do a guest article for your site.

From the Campaign: Tome Guardian

Even though I’m not entirely finished with this creature, I thought I’d share something I pulled together for my home D&D campaign. My party is going to be exploring many places which have not been seen for almost five hundred years or more, and this is one of the creatures they may encounter in their journeys. It isn’t finished, of course. Not only have my players not encountered it, and therefore I don’t want to be posting all of its abilities here, but I also envision this as the “base model”, with adjustments and changes depending on the race which created it and the specific site it was created to guard. But this is enough to be going on with, and I’ll adjust it as it comes into contact with the characters.

Feel free to use it in your own campaign if you are so inclined, as is or modified to fit your needs. If you do modify it, maybe share that with me so I can see to what purposes you put it.

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Tome Guardian
Medium construct, unaligned

Armor Class 18 (natural armor)

Hit Points 55 (5d10 + 25)

Speed 30 ft.

STR DEX CON INT WIS CHA
18  (+4) 14  (+2) 20  (+5) 14  (+2) 10  (+0) 1 (-5)

Saving Throws Int +2, Wis +0

Skills Skill +0, Skill +0

Senses Darkvision 120 ft., passive Perception 10

Damage Resistances bludgeoning, piercing, and slashing

Damage Immunities Force, poison, psychic

Condition Immunities charmed, exhaustion, frightened, paralyzed, petrified, poisoned

Languages Understands Common and Draconic but can’t speak

Challenge
5 (1800 XP)

Force Absorption. Whenever the tome guardian is subjected to force damage, it takes no damage and instead regains a number of hit points equal to the force damage dealt.

Immutable Form. The tome guardian is immune to any spell or effect that would alter its form.

Magic Resistance. The tome guardian has advantage on saving throws against spells and other magical effects.

Magic Weapons. The tome guardian’s weapon attacks are magical.

Spellcasting.  Tome Guardian is a 4th-level spellcaster that uses Intelligence as its spellcasting ability (spell save DC 10; +2 bonus with spell attacks). The Tome Guardian has the following spells prepared from the cleric’s and wizard’s spell list:

  • create water
  • prestidigitation

ACTIONS

Multiattack. The tome guardian makes two melee attacks.

Slam. Melee Weapon Attack: +9 to hit, reach 5 ft., one target. Hit: 12 (2d6 + 4) bludgeoning damage.

Force Wave (Recharge 5 or 6). The tome guardian sends a wave of force energy from its outstretched hand in a 15-foot cone. Each creature in that area must make a DC 14 Dexterity saving throw, taking 16 (4d6) force damage on a failed save, or half as much damage on a successful one.

 

REACTIONS
Reaction. 4 (1d8) bludgeoning damage.

Built to guard libraries and other locations storing knowledge or artifacts, tome guardians are able protectors of both the location and the objects within. Imbued with minor abilities which allow them to care for the books and artifacts they guard, tome guardians also act as research assistants, as they are programmed with a catalogue of the items under their care. Tome guardians are unfailingly polite until one seeks to endanger a book or artifact they are charged to protect. They then go on the offensive quickly and decisively.

Things I’ve Learned from Almost Forty Years in the Hobby

cropped-cropped-brent-chibi-96.jpgI had occasion to talk with someone I gamed with in my primordial days as a gamer, and it brought home exactly how long I’ve been involved in the tabletop gaming hobby. That train of thought changed cars, and I got to thinking about the things I’ve learned in that time. The list of “rules” below is by no means exhaustive, but it begins to form what could loosely be called my “Gamer Code of Ethics”. I figured I’d share it in the interests of disclosure and because discussion around this can be interesting.

I’ve been in this hobby for almost forty years, and your gate-keeping bullshit is boring and stupid. I put this one first as a courtesy; if the statement offends you, you can now stop reading and go elsewhere with my blessing. No? Still here? Excellent. Seriously, though, at its heart this hobby is about playing. If you think someone should be excluded from play for any reason (other than on an individual basis because of intent to harm) then you are the problem, not whoever you’re trying to keep out of gaming this week. Anyone who wants to play is welcome at my table, period.

I’d rather not play than play in a bad game. This wasn’t always the case. In my mis-spent youth I’d play any game anywhere with any one just to be playing. Now, though, I don’t have time to play bad games. Work and other responsibilities take up a good chunk of my free time. When I play I want to be at a table with other gamers who want to have fun, and don’t need to impede other players’ fun to have it. I just don’t have time to deal with toxic players, and that’s doubly true for toxic Game Masters.

Rules are fine until they get in the way of fun. There are no rule police. The game company already has your money for the whole book, they don’t care how much of it you actually use. So if you encounter a rule which is seriously ruining the fun, change it or ignore it. If your player proposes something amazingly heroic and dangerous and the rules say no, tell the rules to shut up and figure out a way to make it happen. Not once in the entire time I’ve been playing has any gamer reminisced about that one special session where they adhered to all the rules. Not. Once.

You can’t put a green dragon next to room full of goblins. This oddly specific item comes from one of the first adventures I wrote, round about age twelve. And it did indeed feature a room with a bunch of goblins, right next to a room with a green dragon, each leading a blissful life confined to their room waiting for tasty adventurers. So yes, this rule is a little about dungeon ecology, but it’s also about interesting story. Because of course you can put a green dragon next to a room full of goblins, as long as you figure out an interesting reason why the goblins are still there and the dragon hasn’t binge-eaten a goblin tribe. Do it well, and figuring out that situation can end up being as interesting as fighting the dragon.

If you can’t spot the asshole at the table, it might be you. I’ve brought this up before in other articles so I won’t go in to much more detail here. Just look around and make sure you are matching or exceeding the pleasantness of the table.

A hard no is reserved only for players ruining other players’ fun. I’m generally willing to roll with whatever my players want to do, and I’ll figure out a way to make it work. About the only time I say a flat no to something a player wants to do is if it is directly antagonistic to another player or their character. I don’t even try to come up with an in-game work around for it anymore. I flat out tell the player, “No, you don’t get to do that” and why, and encourage them to figure something else out. Seriously, unless there is a strong story reason for your character to go after another character, it doesn’t need to happen. Stop being boring and move on.

Go to cons. Play games you wouldn’t normally play with people you’ve never gamed with. I’ve talked about this a lot so again I won’t go in to detail. But really, this is one of the best parts of the hobby and you should get to a tabletop gaming con at least once a year. You won’t regret it.

If you have to win to have fun, you’ve set the wrong victory condition. Should be self-evident for role-playing games, but this goes for board games as well. Does it feel good to win? Sure. But I don’t invite my friends over to beat them at games, I invite them over to play games. Winning is a nice bonus, but I’ve come to enjoy seeing my friends pull out some epic wins, even when they snatch them from my grasp. My victory condition is fun; as long as I achieve that I’m ahead.

As a GM it is never me vs. the players. Conversely, as a player it is never me vs. the GM, or the other players. Pretty self-explanatory, really. I don’t need to beat my players. As a GM I win if my players have a good time and feel suitably challenged. Similarly, as a player I win if I can work with the other players to overcome whatever the GM has in store for us.

Don’t touch another player’s dice without asking. You may not have any dice-related superstitions, but it is still polite to ask before grabbing dice from another player. See Rule 4.

Your “Lone Wolf” character is boring. Yes, even that one. I blame movies for this, because adventure movies are packed with examples of the loner hero. And why not? As a trope it works great for movies and television. But RPGs are a social game, and I’m sorry, but choosing to play a character who doesn’t want to be around other people is lazy and boring. The first thing I ask the player, when presented with such a character, is why are they now choosing to work with others? Because watching the “solo” character play against type can be interesting. Watching the character sit alone again, and not talk to the rest of the party again, and sneak off on their own again? Not so much.

You can expect another one of these articles at some point, because I know I haven’t even scratched the surface. But this is enough…well, let’s call it wisdom to be friendly…wisdom for one blog entry. Have anything you’ve learned? Drop it in the comments and share with the class.